- The sharp focus on Catherine of Aragon—Catherine’s position in England after the death of her husband, Prince Arthur, proved tenuous as Henry VII and her father (Ferdinand) used her as a pawn in geopolitical games. And there was that matter of whether or not the marriage was consummated, a question that would haunt her.
- Concentration on Henry’s fixation over finances—I wouldn’t be surprised to see a picture of Henry with a green eyeshade after hearing about his obsession with his account books. The increase in state wealth provided a disturbing part of his reign as he used a heavy hand in the levying of surety bonds and fines among many extrajudicial tactics. More entertaining was watching him undermine the Papal monopoly on the trade of Turkish alum. The focus on finances may bore some but they were an essential part of Henry’s reign.
- I was concerned that I wouldn’t be able to keep the vast list of characters straight but Penn helps out in many ways—everything from making even minor characters come to life to short “reintroductions” or helpful descriptions if a character has not been mentioned in a while.
- The focus on the educations of Princes Arthur and Henry—Penn spends a lot of time on the education of the two princes, some of which helps explain some of Henry VIII’s later actions but also provides some interesting speculation on how the reign of a King Arthur would have differed. Penn doesn’t go into explicit detail on either of these topics but he laid the groundwork for it. Speaking of formative years, Penn also spends a lot of time on Henry VII’s mother, Margaret Beaufort.
- Concentrating on Henry’s rise as a geopolitical player—it’s easy to forget that England was dwarfed by many continental powers but Henry shrewdly navigated the political waters of the day. Henry made plenty of mistakes but he constantly learned from them, never afraid to use a light touch or make a veiled threat when appropriate.
Unsurprisingly, when the seventeen-year-old Henry VIII inherited the throne in the spring of 1509, he had a difficult circle to square. His coronation was accompanied by an outpouring of praise which presented him as his father’s successor, while at the same time distancing him from the disturbing years that had just passed. Court poets reached for Plato’s tried-and-tested idea of the Golden Age: paradise, the first of epochs which, like the seasons, would return. The glorious your prince represented a metaphorical spring, a second coming, seemingly as unlike his father as could be.
It was a model that had been used before—in living memory, in fact. Back in 1485, Henry VII had evoked the Golden Age to define himself against the king he had defeated and called a usurper, Richard III. But in 1509, court poets portrayed Henry’s own reign as a sterile landscape, one in which bears roamed and wolves howled, a time in which the natural order had been subverted—but which, mercifully, was rightfully restored in the shape of his son. In other words, if Henry VIII was the spring, his father was the winter.
(from the Introduction)
Winter King: Henry VII and the Dawn of Tudor England is available for preview at Google Books.
Video of Thomas Penn discussing his work can be found at:
Simon and Schuster (2:26)
intelligence2 (14:24) Also highly recommended--a quick run through Henry VII's early years and his rise to the throne